Ash Holmes
We speak to abstract painter Ash Holmes about her nature-inspired works and the natural ebb and flow of a creative practice.
Photography: Benito Martin & Ash Holmes
Photo: Benito Martin.
Photo: Benito Martin & Ash Holmes.
H&F: What time do you generally start your workday?
Ashleigh: I have been an early riser since I can remember. I'm usually in the studio between 7 - 8am.
What does your process look like?
It can take different shapes depending on what it is I’m working on. I’ve generally thought about the theme and composition of the work before starting. I’ll then choose a colour palette and mix my paint — I feel it’s important for me to leave mystery about how the piece will be complete to allow for some discovery to happen naturally. My process is intuitive, and there is a lot of action/reflection throughout.
Where do you draw inspiration from?
At the moment, I’ve been drawing inspiration from the small details in moments throughout my day-to-day life. I will then photograph the subject, develop the film, and use these images as reference points.
For my latest collection, I have referred to such memories/moments; the complex tones at dawn and the movement of light, the slow burn of a Palo Santo stick, the way my morning coffee mixes, shapes and formations of the headland rocks and the reflection of a moon across the ocean horizon. Since being in lockdown, I feel that I’ve enjoyed embracing my ‘in reach’ surroundings and finding pleasure in the small things.
“Since being in lockdown, I feel that I’ve enjoyed embracing my ‘in reach’ surroundings and finding pleasure in the small things. ”
Atmosphere of Changing Light by Ash Holmes. Photo: Benito Martin & Ash Holmes.
Notes Swim Across the Water by Ash Holmes. Photo: Benito Martin & Ash Holmes.
Is there ever a typical day for you?
Not so much a typical day; I go in ebbs and flows. With this new series I’ve been working on, it has been all about painting in the moment. I’ve been working with some new mediums and trialling out new techniques that have been really enjoyable to slow down and focus solely on painting.
My non-negotiables everyday are dandelion tea, ice coffee and music. I also listen to my ‘Heroin Chić’ playlist, which is grunge, psychedelic rock, punk etc, and then I contrast that with two-three hour house mixes — doing something creative, whether that's photography, painting, cooking or working with my brother. I always urge to do activities that transcends me into a flow state.
What have you been working on recently?
Primarily I’ve been finalising my latest collection, Eternal Dusk, which is being showcased at Studio Gallery Group. This series has been in the works since January, and I’m really looking forward to sharing it as there is a handful of new compositions and subjects!
I’ve also been anticipating the return of the collaborative pieces with Jamie Preisz; we are creating a body of work together. The process has been very moving and humbling. I received the artworks back in my studio this week; Jamie’s work is breathtaking — his layers literally float off the canvas. More to be revealed on these works soon!
In September, I’ve been invited to place work in two group shows in Hangzhou, China and Vancouver, Canada, which I’m extremely excited and honoured to be part of.
What tips do you have for artists who are starting out and working for themselves?
My biggest tip to starting out artists is to be authentic. I think it really shows when artists are moving at their own pace and really creating a space for themselves.
My other tip would be to trust the process and put yourself out there; you never know what feedback someone could give you that could make a huge impact and potentially help build your journey as an artist. Positive and constructive feedback is as important as one another and will always come hand in hand, it’s difficult to embrace both sides, but it is crucial for growth and personal reflection.
The biggest lesson you’ve learnt working for yourself.
I really think learning to trust my instincts has been a big lesson for me. I was working a few different jobs while also painting collections and commissions early on. I trusted my gut when the time was right to focus on my art, and I couldn't be happier I made that decision at that time.
Can you share some highlights and challenges of your career so far?
I have many wonderful memories and goosebump moments. However, some of the smaller moments have really been the most rewarding. I’m so grateful for placing in the Mosman Art Prize, as well as showcasing my works in Spain, and a memory I really cherish is my first ever solo exhibition that really cemented that I had moved in the right direction.
Being able to have a studio and paint each day is a highlight. Internal challenges are the ones I feel stop my natural progression; it’s important I stay confident in my vision and trust my own urges – staying connected with myself so the internal and external aspects interlock in my painting process.
