Lodestars & Moonstones by Jan Vogelpoel explores the ceramic artist’s fascination with light as a source of inspiration and energy for her sculptural forms.

After a covid-induced two-year hiatus, Sydney Contemporary is back — filled with new features and unseen artworks, the product of years of making.

Based in The Netherlands, Frode Bolhuis creates magical and emotive miniature figures in a rainbow of neon pastel colours, influenced by ancient cultures and surrealism.

Screen-print artist Kate Banazi’s latest exhibition, Soft Landing at Curatorial+Co, explores the juxtapositions of the artist’s lived experiences of the last two years.

Victoria-based artist, Chloe Caday creates textural oil paintings which are a visual representation of her experiences of the Australian and Philippines landscape.

Scotland Island-based artist Gemma Rasdall’s soothing works speak to her deep love for the water, the natural landscape and sailing.

Kuku Yalanji artist Tiarna Herczeg’s works are vividly colourful, abstract representations of Country and felt ancestral roots flowing from the artist onto the canvas.

Sydney-based emerging visual artist Eliza Gosse draws inspiration from mid-century architecture, evoking a sense of nostalgia and memory in her pastel-hued paintings.

Melbourne-based ceramicist, Lucy Tolan’s works occupy the space between architecture and landscape and bring an air of playfulness, dancing between the subtle and the conspicuous.

From 2—3 July, Sydney’s Circular Quay is activated by the National Indigenous Art Fair — featuring art from across the country, First Nations performances, bush food cooking demonstrations, and a collaborative weaving project.

Born from lockdown boredom, Tabitha Hope began her journey with fibre art from her New York city apartment.

South African artist Lené Ehlers’ latest exhibition, Oomblikke, is inspired by suzanis — embroidered Uzbek textiles full of colour and intricate pattern.