Caroline Walls’ most recent show, Motherlover, departs from her characteristically abstract works and explores ideas of motherhood, love and the power of the female form through texture, still-life and portraiture.

Visual artist Billy Vanilli creates ultra-realistic paintings that are a sensual, almost erotic interplay between food and figurative elements.

Exploring colour and pattern, minimalism and neutrals, the Hunter & Folk Group Show at Rainbow Studios narrates art right now — revealing the diversity and forms of expression, all to the transformative concept of the ‘moth’.

Holly Terry’s new exhibition While I Wait, at Fenton & Fenton, plays with the impact of texture, blending a mix of soft, organic and earthy materiality to bring her art to life.

Yugambeh/Bundjalung artist Shaun Daniel Allen (Shal) began painting as a way to turn off unnecessary noise. Now, the maker is well-known for his vibrantly intuitive works.

Bringing food memories, the everyday, and kitschy nostalgia to her paintings, Billie Justice Thomson welcomes in the fun of art and life while raising her son in Adelaide.

Yugambeh artist Adam Leng’s energetically rich works are streams of consciousness representing his connection to self and cultural heritage.

Ash Holmes’ first solo exhibition in Melbourne, Shadow Silhouette at At The Above gallery, explores shadow play, reflective gaze and colour psychology – applying her wonderfully distinctive tonal palette to her layered and mesmerising abstract artwork.

Noosa-based artist Kate Florence translates the movement and freedom of dance into abstract paintings, creatively manipulating light and shadow for her latest show, Dance of the Shadows, at No Vacancy gallery in Melbourne.

Merging the future in her design practice with raising the future generation, Jessie French blends parenting and creativity seamlessly.

Contemporary artist Jedda Daisy Culley’s works are alive with depth and feeling, exploring notions of womanhood, landscape and failure.

Perth-based artist Rina Freiberg paints bold abstracts and wild expressionist faces in her exploration of human interaction and the feminine form.