Reclaimed by Penny Craswell
Penny Craswell’s new book Reclaimed shows how recycled elements can be used in modern interiors. We look at 8 Yard House by Studio Bright, where a sense of history is created through the intelligent use of materials.
Words: Penny Craswell I Photography: Rory Gardiner
Inside the house, reclaimed bricks are used as interior finishes alongside timber in the living room and kitchen. Photo: Rory Gardiner
‘I like it that non-architects are not sure if it’s a new or an old house, maybe that’s connected to the material choices we made,’ says Melissa Bright. Photo: Rory Gardiner
One priority was to catch northern sunlight, another was to not over shadow the neighbours. Photo: Rory Gardiner
Architecture office Studio Bright used reclaimed bricks, lightly bagged and painted cream, to create a sense of history at 8 Yard House, a new build in suburban Melbourne. ‘I like it that non-architects are not sure if it’s a new or an old house,’ says architect Melissa Bright, ‘maybe that’s connected to the material choices we made.’
Situated on a street full of single-fronted Victorian houses, the house previously on this site was poorly built, with a number of badly handle dadditions, and could not be adapted. The challenge for the architects was to create a new house in an old street that still felt like it was part of the neighbourhood.
The first step was to organise the volume on the large site. One priority was to catch northern sunlight, another was to not over shadow the neighbours. Rather than separating the site into only two zones – a house at the front and garden at the back – the outdoor spaces were divided into a series of courtyards and gardens that were distributed along the length of the site.
In all, there are eight outdoor spaces, or yards, of different sizes, which gives rise to the name of the house. The owners wanted a pool, but if it had been put in the backyard it would become the focal point, and more space would be taken up with pool fencing. Instead, the pool was brought forward, and it stretches along the northern side of the house.
At the front of the house, a perforated brick wall screens a small outdoor courtyard created outside the main bedroom on the northern side. Another small courtyard was created further back, towards the middle of the house, on the southern border. At the back, a partially paved garden is bookended with another structure – a two-storey studio and garage – that faces the back alley.
Reclaimed brick is an important part of the design. The front facade has a skin of solid brick on the first storey above the ground floor, which is clad in grey timber. At the top of the facade, a circular form in brick protrudes above the roofline, echoing the semicircular shape of the ornate Victorian plaster facade of the house next door. On the northern side of the facade, the brick forms a perforated screen that conceals the small front courtyard off the main bedroom.
8 Yard House shows that, even with a new build, a sense of history can be created through the intelligent use of materials. Photo: Rory Gardiner
‘Recycled bricks have got a history and a layer to them that you can’t necessarily get in a new material,’ says Melissa Bright. Photo: Rory Gardiner
Reclaimed white bricks from the facade form a balustrade around the rooftop garden. Photo: Rory Gardiner
The pool has been placed at the side so it doesn’t dominate the rear garden. Photo: Rory Gardiner
Inside the house, reclaimed bricks are used as interior finishes alongside timber in the living room and kitchen.
The kitchen island is made with brick, with curved brickwork forming recesses for knees under the stone bench. Outside, the brickwork is omnipresent. The pool and the green courtyard gardens are all set against a backdrop of cream brick. In the outdoor spaces leading from the pool to the back garden, a series of outdoor courtyards is separated by brick beams that create a material connection above head height between the exterior brick walls and the house itself.
At the front of the house is an intimate living area lined in dark timbers and brick. It looks almost like a library or an old-fashioned sitting room. ‘In some ways this is our new “old” house part,’ says Bright. The front bedroom is the same, and floor-to-ceiling curtains create a sense of cosiness and dark cocooning.
After this section, the house really opens out. A sense of connection is achieved by the distribution of space and connection to the outdoors. The kitchen space is separated from the side garden by glass, then a couple of steps lead down into a sunken living space with views to the garden on two sides.
Upstairs, the kids’ bedrooms are set out in a row. Desks are built into the corridor to draw the kids out of their bedrooms so that, while they are doing homework or on their computers, they are sitting side by side in a more social space. A large rumpus room with a TV on this floor opens to the rooftop garden, again encouraging socialising and providing a connection to the outdoors.
8 Yard House shows that, even with a new build, a sense of history can be created through the intelligent use of materials. This house could easily have been built with new brick, but it would have had a totally different feel–one that was more monolithic and less rich. The selection of reclaimed brick has given this house a coherence that meshes perfectly with the focus on nature of the eight outdoor yards, and the cream paint contrasts wonderfully with the green planting throughout.
The bricks from the demolished house were sold, but instead of buying brand-new bricks the architects chose to work with reclaimed bricks. Thisdecision wasn’t just based on the aesthetic qualities of the reclaimed bricks, although their colouring is an important part of what makes this house so appealing. It was also a conscious choice to create a sense of history for this new building.
‘We’re so used to working with old houses that when we work with a new house we can’t help but make it feel old,’ explains Bright. ‘Recycled bricks have got a history and a layer to them that you can’t necessarily get in a new material.’
The bricks were found by Tim Faughlin from Bayview Brick and Block Laying. They are variegated and some have stamps indicating where they were made. About 30 bricks have a Melbourne Olympics stamp that features the Olympic rings and the words ‘Glen Iris 1956’. There was a huge variation of colours, including cream, red, yellow and white, and some bricks had dark patches, but they were all bagged and given a light paint to create a cream finish, which gave them a more even look.
‘Bagging them is not really normal, but when you are working with architects there’s nothing really normal,’ says Faughlin. ‘They were difficult to lay. You can’t be quick with them; you have to be slow because of the different sizes and faces. But it was enjoyable.’
